St. Petersburg

The master Margarita Kullik is the tutor of the prestigious and old company of the Mariinsky Theatre, where she stands out as one of the best in the world in her profession.

She graduated in 1981 at the Vaganova Academy with the legendary Natalia Dudinskaia and Irina Trofimova as teachers. She immediately entered the Mariinsky Ballet, where she quickly rose to the position of principal star. Kullik premiered numerous roles for the prestigious company such as La Fille Mal Gardée (choreography by Oleg Vinogradov) and Cinderella (choreography by Alexei Ratmanski). As the first dancer she assumed the lead roles in Don Quixote, Cinderella, Giselle, The Sleeping Beauty, The Sylphide, The Corsair, Romeo and Juliet, among many others, and toured different countries. Among her awards it stands out the prize of the International Ballet Competition of Varna (Bulgaria) in 1983.

Desde 2013, es maestra de clases y ensayista en el Ballet Mariinsky, cuya destacable labor, palpable en la excelencia de sus pupilos (como Renata Shakirova y Kim Kimin), le ha encumbrado a lo más alto y consagrado como leyenda.

During more than 25 years she was the main tutor of one of the most important neoclassical dance theatres, in Saint Petersburg.

She graduated from the Vaganova Academy in 1967. And from this time was the first dancer in the Chamber Ballet directed by Gusev, where she danced leading roles in ballets such as Giselle, Don Quijote, Korsar and others. Since the 70´s she was the first dancer in the most prestigious theaters; She was the big star in“Choreographic Miniatures” of Leonid Yakobson, an excellent and very recognized worldwide choreographer. In most ballet encyclopedias she was considered as one of the most virtuous bailarinas of the XX century. She is a big living legend of ballet, and it´s a real honor to have her in our course.

Since the end of her dance career until today, Tatiana has excelled and left an indelible mark as a mentor and tutor of many professional artists, giving them the stamp of ballet stars.

She has given large number of master classes all over the world: United States , European Union countries, Japan and others.

Among her disciples we can highlight:  Natalia Osipova,Vera Arbuzova, Nina Zmievets, Svetlana Bednenko and other soloists of the big theaters like Eifman Ballet, Mikhailovsky Theatre, Jacobson Ballet Theatre etc.

Worldwide recognized and one of the best representatives of St. Petersburg ballet culture, educated in the best traditions of academic dance. She´s actual and one of the most acclaimed teachers of Vaganova Academy.

Upon graduating with honors and summa cum laude, Galina has completed specialization courses in the class of NATALIA DUDINSKAYA AND IRINA TROFIMOVA at Vaganova Academy.

After she worked as first soloist at the Theatre of Choreographic Miniatures of Leonid Jacobson, an exceptional and principal choreographer of Kirov Theatre (now Mariinsky), in his time. With the company Galina danced around the world with great success.

In 1998 she graduated as a classical ballet teacher in Vaganova Ballet Academy. Since then she has acquired an extensive teaching practice and methodical didactic in ballet.

Currently, she teaches ballet in Vaganova Academy in Saint Petersburg, basically on elementary and intermediate levels. Also, Galina gives Stage Practice classes for children in the Mariinsky Theatre.

She has given numerous master classes in Japan, Denmark, Italy and other countries.

More information on: http://vaganovaacademy.ru/academy/structure/kafedri/classica/enikeeva.html

She was born on September 29, 1949 in Leningrad. She graduated from the Vaganova Academy, under the teachings of V.S. Kostrovitskayay V.M. Stankevich.

In 1968 she entered the Mikhailovsky Theater where she played numerous solo roles, where she remained for almost thirty years.

In 1993 she entered the Vaganova Ballet Academy, in the pedagogical department. Since 1996, she is a classical dance teacher of elementary grades. In 2007 she was elected to the post of assistant professor of the methodology of classical and duo-classical dance teaching.

Direct disciple of N.I.Kovmira, is the most valued professor of male technique in the middle and advanced levels in classical dance.

Born on 06.02.1969 in Leningrad. He graduated from Vaganova Academy in 1987. In 1987-1989 he worked at the Maly Theater of Opera and Ballet (Mikhailovsky Theatre). 

Since 1989 he worked as a soloist in the Ballet Theatre under the direction of Eifman. 

During his career he performed all the current repertoire. In 2007 he graduated from the Pedagogical Faculty of Vaganova Academy as a teacher and tutor. Since 2006 he has been teaching classical dance in the middle and advanced levels in Vaganova Academy in Saint Petersburg.

More information on http://vaganovaacademy.ru/academy/structure/kafedri/classica/ermolenkov.html

Due to her spectacular curriculum and teaching experience Polina is the best representative of professional ballet environment to transmit Character Dance.

Polina is also a tutor and lecturer in Vaganova Academy in Saint Petersburg, as well as character dance soloist of the Mariinsky Theatre, considered one of the leading ballet theaters.

Her work in our intensive marked a turning point in our students. This discipline is vital and crucial for a ballet artist. It has its origin and development in Russia but in Europe unfortunately there are not many well formed specialists. Dance character usually marks a fundamental difference between one dancer and another, and can even decide their fate.

During the summer course Polina will teach Character Dance to all professional groups.

Some notes of her curriculum:
Polina was born in St. Petersburg. In 1994 she graduated from the Vaganova Academy in the class of NATALIA DUDINSKAYA y ALISA STROGOYA, prominent legends in the history of ballet.
Between 1994 and 1996 - Polina was a soloist in the ballet company "Ballet Camara". Since 1996 Polina Rassadina has been working in the ballet company of the Mariinsky Theatre.
In 2008 she received the title of "professor and tutor of ballet" in the Pedagogical Faculty at the Vaganova Academy. And from 2012 Polina combines her work at the Mariinsky Theatre with her work as a character dance teacher.

More information on http://vaganovaacademy.ru/academy/structure/kafedri/characterny/rassadina.html

Alexander Omar graduated from the Vaganova Ballet Academy in 2004 and the same year he joined the Mikhailovsky Ballet Company.

His repertoire included the roles of Tybalt (Romeo and Juliet, chor. by Nikolay Boyarchikov; chor. by Oleg Vinogradov), Spartacus, Crix and centurions (Spartacus, chor. by George Kovtun), Moor’s Friend (The Moor’s Pavane, chor. by Jose Limon), Gringoire (Esmeralda), solo in the Indian dance (La Bayadère), the role of Fairy Carabosse (The Sleeping Beauty, rev. by Nikolay Boyarchikov), Mr Drosselmeyer, Abdurrahman and solo role in panaderos (Raymonda), Rose waltz and Spanish dance (The Nutcracker, chor. by Nikolay Boyarchikov), Ali and Isaac Lanquedem (Le Corsaire, rev. by Farukh Ruzimatov).

Now he performs solo roles in the new productions of the ballets Giselle, ou Les Wilis, Swan Lake, Le Corsaire, Laurencia, The Flames of Paris, Cipollino, and The Bronze Horseman.

Mikhail Sivakov graduated from the Vaganova Ballet Academy in 1998, in the class of Konstantin Shatilov, and the same year he joined the Mikhailovsky Theatre.

He performed the roles of James (La Sylphide), Ahmet and Ali (Le Corsaire, rev. by Pyotr Gusev), Phoebus (Esmeralda), Solor (La Bayadère), Jean de Brien (Raymonda), Blue Bird and Fleur de Pois’s Cavalier (The Sleeping Beauty), Basilio and Espada (Don Quixote), Mikado (Princess of the Moon, or The Tale of Taketori, chor. by Nikolay Boyarchikov), Spartacus (Spartacus, chor. by Georgy Kovtun), Rose Waltz (The Nutcracker).
Now his repertoire includes roles in Swan Lake, Giselle, ou Les Wilis, The Nutcracker, Romeo and Juliet, Laurencia, Cipollino, Without Words, Nunc Dimittis.

Born in Leningrad. Graduated from the Vaganova Ballet Academy in 1998.

Joined the Mariinsky Ballet сompany the same year. Her repertoire included La Sylphide (Nancy, Sylphs), La Bayadère (Manu, Bayadères, Trio of Shades), The Sleeping Beauty (Carefree Fairy, Playfulness Fairy, Little Red Riding Hood), Swan Lake (Cygnets, Neapolitan Dance), Raymonda (Grand pas, variation), Le Corsaire (Trio of Odalisques), Don Quixote (Amour) etc.

Prize-winner at the International Vaganova-Prix Competition (2nd prize, St Petersburg, 1998)

Since 2019 she has been a coach with the Mariinsky Ballet, working with Vaganova Ballet Academy students engaged in the theatre’s performances.