Formed by Ludmila Safronova, one of the last students of Agrippina Vaganova, Anna Podlesnaya has graduated summa cum laude as ballerina and after as a teacher at the Vaganova Academy.

She worked with legendary teachers such as Alla Shelest, Alla Osipenko, Lyudmila Kunakova and Ninel Petrova, Lyudila Safronova.

Anna Podlesnaya represents the St. Petersburg´s school in its purest form, even to receive the epithet “Vaganova’s granddaughter.” After an acclaimed career as a Principal Dancer, she became an outstanding teacher. Her excellence as Teacher is shown in details such as the correct position of hands and feet, she combines attention to detail with great sympathy and sensitivity when working with children.

For more than 7 years she has worked in the Boris Eifman Dance Academy and Anna Podlesnaya is a permanent RMB faculty teacher.

Asiya Lukmanova graduated in Rudolf Nureyev Choreographic School in 2002. Graduated summa cum laude in Vaganova Ballet Academy.

She became a soloist dancer in the Saint-Petersburg Ballet Theatre K.Tachkin.

At the age of 17 years old she danced her first soloist part: Kitri, in “Don Quijote”. At 25 years old she became a Promotor in one of the biggest music festivals of Spain nowadays, with more than 30,000 attendants: Electromar festival.

Nowadays she drives her best ever project: Russian Masters Ballet. She wants to expand all over the globe the best classical ballet traditions and with fair prices to broke limits and help students to improve and become the best.

Anton Waldbauer was born in a small city in Russia and began his studies at the Gymnasium of Arts.

After participating in the prestigious competition Prize de Lausanne, he received an invitation to continue his studies at the Vaganova Academy of Russian Ballet. He graduated from the Academy with honors in 2003.
Then he entered the Department of Modern Dance at the Higher School of Arts (Frankfurt, Germany) and at the end, of course, joined the European Ballet (London).

In 2004, he accepted an invitation to the role of lead soloist in the State Opera and Ballet Theatre of the Komi Republic (Russian Federation) where for two seasons he has been playing the leading parts in the classical repertoire and participating in new Theatre productions.

In 2006, she took part in the 10th Anniversary Ballet Competition in Moscow, where she won a diploma for the best choreography, with his debut work “6 Seconds”. In the same year, he returned to Europe and began to dance with the prestigious Netherlands Dance Theater. Where Anton became the first Russian artist in the 50th history of the troupe.

In 2009 he joined the Kullberg Ballet (Stockholm, Sweden).
And in 2010 he returned to Holland to the main troupe of the Netherlands Dance Theatre. Where, over the years of his work, Anton had collaborated with many prestigious choreographers, such as Jiri Kylian, Ohad Naharin, Paul Lightfoot, Johan Inger, Wim Vandekeybus, Crystal Pite, Sharon Eyal, Sasha Waltz, and many others.

In 2013, at the invitation of Johannes Oman, he became the first soloist and the main artist in all-new productions of the Royal Swedish Ballet.
In 2014, he acted as a guest artist at the Nobel Gala.
In 2016, he received the Pina Bausch Prize and collaborates with Familie Flöz, a troupe of physical theater from Berlin.

Since 2012, Anton has been actively engaged in teaching modern dance, improvisation, and choreography. He is currently a guest teacher at many prestigious centers/schools throughout Europe.
Anton is also actively engaged in his productions and his choreographic works were presented in the Netherlands, Germany, Sweden, Russia, France, and Spain. His first short film, 33 Questions, was presented at the Stockholm Dance Festival.

Dancer and teacher with extensive experience.

Olga graduated Perm Professional Ballet School, Russia in 1993.

After that she immediately joined The Opera and Ballet Theatre of Perm as a dancer, ascending to the category of soloist. With the company Pavlova danced the great ballets of the classical repertoire.

To pursue her teaching career, graduated Bolshoi Theatre Academy as a Classical Dance teacher.

Finally, she moved to Spain to focus fully on her pedagogical role, teaching at the Artis Reus School and all RMB programs.

Larissa Lezhnina was born on March 17, 1969 in Leningrad (now St. Petersburg), Russia.
She graduated from the Vaganova Ballet Academy in Leningrad in 1987 and joined the Kirov Ballet (now the Mariinsky Ballet).

In 1990 she became a First Soloist. In 1994 she left the Mariinsky and joined the Dutch National Ballet as a principal.
In 2006, she was awarded the Alexandra Radius Prize, and she received the Merit Award from Dansersfonds ’79 in 2010.

In 2012, Larissa played an important role in the documentary De Balletmeesters, in which film maker Sonia Herman Dolz closely followed Larissa’s partner, ballet master Guillaume Graffin, and the head of the artistic staff, Rachel Beaujean.

Her repertoire includes Cinderella (Ashton), Giselle (version by Wright), Nutcracker and Mouseking (Eagling and Van Schayk), Onegin (Cranko), Romeo and Juliet (Van Dantzig), The Sleeping Beauty (version by Wright), La Sylphide (version by Bjørn) and Swan Lake (version by Van Dantzig). Larissa retired in June 2014.

The experience of having a teacher like Larisa is unparalleled: our students will have that privilege this year. We welcome Larisa to Russian Masters Ballet.

Currently, she is the main tutor of the Dutch National Ballet.

At the age of six, Aida Gómez began her dance studies mastering Spanish Dance and Classical Ballet.

From thirteen years she began working professionally in the company “Los Goyescos” and was admitted to the National Classical Ballet School under the direction of Víctor Ullate. In 1982, at the age of fourteen, she joined the Spanish National Ballet as a soloist becoming principal dancer at 1985.

During her career Aida Gómez performed multiple times on the most important European and American stages including Mariinsky and Bolshoi Theatres well as the Royal Albert Hall in London and Radio City in New York with famous Spanish pieces like “ Zarabanda”, “El Fandango del Candil”, the pas de deux “Puerta de Tierra” and “El Sombrero de Tres Picos”, etc.

In 1997, she was called to collaborate and teach with Maurice Bejart and his Rudra school as well as the Lausanne company. In January 1998, she became the youngest Artistic Director in the history of the National Ballet of Spain.

In 2001, Aída Gómez created her own company and dedicated her time to the production of such performances as “Salomé". “Sueños”, “Duende”, “Carmen”, “Permíteme bailarte”, “La Revoltosa”, etc. The show “Salomé" received the award for “Best Artistic Contribution” at the Montreal International Film Festival and the Goya Award for Best Song.

During her career Aída gave master classes in Spain and other countries all over the globe. She also directed several Galas and festivals contributing a lot to the Spanish dance scene. In 2023 she began a new project with Nacho Duato as a teacher and choreographer.

Below we list her Awards and Honors:
1997 Max Award for Best Dancer, SGAE Foundation.
2000 Silver Medal from the Fine Arts Theater of Mexico.
2004 National Dance Award (Interpretation), Ministry of Culture.
2005 Glamour Magazine Award. Woman of the Year for her professional career.
2006 Silver Slipper. City of Almeria and Indanza.
2007 Chivas Telón Award. Best performer.
2008 Culture Award, Community of Madrid.
2008 APDE Award. Association of Spanish Dance Teachers.
2009 Juan Bravo Theater Award (Segovia).
2010 La Barraca Award. Menéndez Pelayo International University.
2012 Rojas Award. Rojas Theater (Toledo).
2012 Spring Award. Chicote Club (Madrid).
2013 Actúa Award. AISGE Foundation.
2015 Grand Cross of the Order of May 2. Community of Madrid.
2017 Gold Medal for Merit in Work. Ministry of Employment and Social Security.